There is no theme here, just techniques 
that don't fit neatly into the previous groupings. Rather than fringe 
techniques, these are solid tools that you may already be familiar with. 
1. Wrist 
Stroke
Down, up, and down-up stokes are executed using just the 
wrists, with the fingers holding the stick firmly against the hand. Wrist 
strokes should not be your stroke of choice. Although good for power, they tend 
to limit speed and articulation and can lead to wrist 
problems.
2. Finger Stroke
A 
stroke can be executed by simply "flicking' the sticks with the fingers, keeping 
the wrist and arm movement to a minimum. Bounce and dribble strokes are often 
done using just the fingers. (Also see Skip Stroke in Part 
I.)
3. Forearm 
Stroke
In general, forearm strokes are not very useful, but there 
are two situations where they’re indispensable. To do a military-style buzz roll 
or a scratch roll, press the stick down using the forearms while keeping the 
wrist steady and guide the sticks with the fingers to produce the buzz. 
The other instance of forearm technique is the blast roll or 'free-hand' technique. Rather than attempt to describe it, here’s Johnnie Rabb on the subject: https://www.youtube.com/watch?v=hw4vMV3EnRw.
The other instance of forearm technique is the blast roll or 'free-hand' technique. Rather than attempt to describe it, here’s Johnnie Rabb on the subject: https://www.youtube.com/watch?v=hw4vMV3EnRw.
4. Whipping Stroke 
(Gladstone Technique)
Billy Gladstone (1893-1961) brought this 
technique to the fore while on the job at New York’s Radio City Music Hall. 
Begin by lifting the stick to eye level using the entire arm, and then bring it 
down using a whipping or wave-like motion. Rebound is optional at the end of the 
stroke, depending on need. This stroke delivers maximum power and 
volume.
5. Skip Stroke
I’ve 
not seen any sort of documentation on this one*. While its main application is 
in a fast swing ride, it can be used elsewhere. Begin by throwing the stick tip 
against a ride cymbal with a slight rebound -- 2 to 4 inches only, opening the 
2nd through 4th fingers on contact. Then pull the fingers back to quickly close 
your hand. with practice, you can ‘squeeze out’ two more notes (3 in total) 
using a 'stutter' motion and a snap: Duh-duh-Dum. The key is to use the fingers 
in a pulling motion to execute multiple strokes. So throw-pull-snap / becomes 
&-uh 1. 
* There is an online 
video that presents it as the “Tony Williams Up-tempo Ride”, though the 
technique did not originate with Tony: www.youtube.com/watch?v=GDu6w66F5dU
STROKE SUMMARY
* 
Use lift or rebound. Never pull your sticks up into position.
* When making a stroke, think stick velocity rather than force.
* Relax. Even when playing full tilt, keep your hands and arms as relaxed as you can.
* Tune and position your drums so they provide as much assistance as possible (for your preferred tonal range).
* When making a stroke, think stick velocity rather than force.
* Relax. Even when playing full tilt, keep your hands and arms as relaxed as you can.
* Tune and position your drums so they provide as much assistance as possible (for your preferred tonal range).
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