Some of my Favourite Drummers are Invisible
I was sitting in a club listening to one of my drum heroes when I
asked myself what it was that I found so appealing about his playing. I listened
carefully as he played through the head, backed each soloist, took a solo, and
wrapped things up. His playing rose and fell beautifully with the music, but for
the most part, he seemed to be barely there: supportive but unobtrusive ...
almost invisible. Some of the very best drummers are virtually unheard of. When it comes to the needs of music,
visibility -- or, rather, audibility -- is often not high on the list. There are
high profile drummers we admire who have the ability to disappear as well as get
noticed. Vinnie Calaiuta is a great example. When it calls for flash, you
couldn't want for more. But look at Vinnie's recording credits and you'll find
loads of examples where he takes musical invisibility to heart.
A lot of drummers who qualify as invisible: Hal Blaine, Earl
Palmer, Clem Catini. Even the more
flamboyant drummers -- Buddy Rich, Keith Moon, Mike Portnoy -- fade into the
background when it suits the music. They all played out front when necessary but
were just as happy sitting back and grooving their butts off. What it comes down
to is that these players could be anybody during the body of a tune, but
when their creative skills were needed,
well there’s no mistaking a Hal Blaine fill.
Being invisible doesn't mean not contributing or not being creative
or not being sensitive to the music. Quite the opposite. Being a musical drummer
means that you can sense what the music needs and then deliver just the right
thing -- no more, no less. You are part of the recipe, the way that leavening is
a part of the cake. So when the drums belong in the background, that's where
they should go.
I love the supportive aspect of this approach. These
drummers sit in the mix in such a way that the music is fully supported and
carried along by the drum beat, it's just that it's not obvious and sometimes
you have to listen for it.
Next time you're Listening to any well-produced track, note whether
the drummer is sitting quietly at the back or way out front. Which do you
prefer? Which is better for the tune?
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