You'll find tips on the 'correct' hand grip in just about every drum book, magazine and web site you come across. You'd think there really isn't all that much to it. You hold the sticks like you'd hold a hammer (note that there's no direct comparison implied here) and if you're more of a traditionalist, there's the old ash tray grip.
Whatever your situation, your grip determines what you can do on your drums. As for standards for the grip, I'm going to go with just three.
Good
This
is the grip you're likely using, and you've come to a workable solution on your
own. But unless you've studied the techniques of the masters -- including how
grips change to accommodate different techniques and situations -- you may not
be getting the most out of your hands.
Really
Good
Making improvements to your grip takes time and effort, and
it's usually worth it. Some grips simply do a better job than others. Rudimental
drummers have different needs than symphony drummers, and so each will tailor
their hand grip to maximize their potential on that instrument. Hard rock
drummers have a different grip than lounge drummers. Same reason. And that goes
for the fulcrum too: It changes according to need and desired result.
Not So
Good
There are grips that simply are limiting ... too limiting in
some cases. The worst example I've seen was a fellow, a hard rocker, who played
with his left hand in the traditional grip. But as he was left handed, he played
his hi-hat and ride cymbal with his traditional grip left hand. I can't think of
anything less practical. Had he used matched grip, he'd be perfectly set up for
open-handed playing (let’s hope he’s seen the light).
Show
Me
Drummers have a long tradition of learning by watching other
drummers to see how they get it done. We can do the same with our grip. Every
capable drummer is showing you how best to use their hands every time they sit
down at the set. Watch a video of Tony Williams with Miles Davis and you'll see
exactly how to play a fast jazz ride. His later videos show how to play powerful
single and double strokes. And you may be surprised to see how relaxed John
Bonham's hands were, or how hard Elvin Jones could hit while barely gripping the
sticks.
Conclusion
If
you're getting all you want out of your sticks, that’s great. But if you think
you could up your game by working on your grip, I suggest you spend time
watching highly skilled drummers and perhaps working with a teacher. It will be
time well spent.
Photo credit: Rvvelde | Dreamstime.com
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