Thursday, April 30, 2015

Hierarchy of Rhythmic Needs

When I sit down to play, I have five goals in mind -- not for what I want out of the music but for what the music wants out of me. Although it's usually a subconscious process, I tend to work on the following elements pretty much in this order. With any luck, I'll deliver on all five counts before the end of even the most arcane tune.

Time is #1
I'm not alone when I say that the time is the most important thing. Playing in time is our number one job. It's also the skill that separates the drum set ‘generals’ from the rank and file. Nail down the time and keep it steady and you'll always be welcome on the bandstand.

Steely Dan are notorious for going through a lot of drummers. Their monumental album “Gaucho” features 4 different drummers, and there's certainly not a slouch in the bunch. So what gives? Why request Jeff Porcaro on one tune and then switch to Bernard Purdy on the next and Steve Gadd on another? One word: Feel. Every drummer -- every musician -- feels the groove in their own personal way. Some drummers play 'high on the time', some are laid back, and some play right in the middle. BTW, these are all qualities that can be learned.

Once you have the time and feel established, you want to match your energy to the group’s energy. Keep in mind that volume and energy, though related, are not the same thing. It's possible to play very quietly and still convey a lot of energy, just as it's possible to play really loud yet without any energy.

Here's an interesting thing: You can satisfy the first three items while playing just quarter notes. As long as it's in time and with the right feel and energy, it will work just fine, though it might sound a wee bit spare. So you also want to match the style of the music. If it's your 'native' genre, you'll already be well versed in the time feel and rhythmic patterns that are appropriate. A good general is willing to study other music styles -- as many of them as possible -- to be ready for any challenge that comes along.

Finally we get to the part most of us are really interested in: When do I get have some fun and show off my skills? Well, I hope the fun will be there all of the time. As for showcasing those chops, as long as it's in service to the music, go for it. Just remember that your chops include musical chops and also a sense of taste.

And that's about it. Play good solid time, match your energy and feel to the music, learn a few suitable rhythms, and when all of that is taken care of, start bringing your personal flair to the game.

Thursday, April 9, 2015

Product Review: Drum Clips

I like a fairly open sound from my drums, but invariably there always seems to be just a little too much ring or an odd harmonic I want to get rid of. So my choices in damping techniques have always been minimalistic. I wish I could get more of the Rogers clip-on dampers I picked up years ago. Similar products on offer today seem to be too ambitious -- and a poor fit with my frugal lifestyle. So when I saw The Drum Clip, I was curious to see if this little item would do the job.

The Clips are simple bits of molded semi-soft plastic, and easily clip onto a drum rim. A pad rests on the drumhead and is not adjustable. There are two sizes -- small and very small -- and each Clip comes with two stick-on pads, one felt and one foam, for three levels of damping.

I normally put a half piece of Moon Gel on my smallest tom. I swapped that out for the smaller Drum Clip and was reasonably pleased. The Clip didn't rest on the head that well, so I also tried it with the supplied damping pads. (The Clips relaxed a bit over time and made better head contact for a good result.)
I have this monster of a floor tom (14 x 14 fiberglass) and getting it under control has always been a challenge. I had a vintage Rogers damper and two moon gels on it, and it was still pretty raucous. I played around with the Drum Clips and found that the larger Clip with foam did the trick on its own.

I wanted to try the Clips because the Moon Gels were somewhat problematic. If I left them on the drums, they'd end up mashed up (or melted) in the bottom of the case or missing altogether. If I took them off and pocketed them, I'd invariably forget them next gig. The Drum Clips hold on solidly and stay where I put them. I did wonder whether they'd work with the "S-hoops" I had on my toms, but they seem almost designed for these hoops.

Drum Clips are priced at a very reasonable $6.95 and $8.95, but are often discounted. I bought mine from the creator, Keith Jones, and paid about $50 including shipping for six Clips. There is also a bass drum Clip that looks interesting.  A new product is a modified version that will accept accessories such as microphone Clips.